badesaba:
A Tehran Art University student looks at a painting by 20th century U.S. artist Jackson Pollock at Tehran’s Museum of Contemporary Art on June 19, 2010.
Artists like Monet, Picasso and Warhol’s works not much appreciated by the leaders of Iran’s Islamic revolution were kept out of view for decades. Now, one of the greatest collections of contemporary Western art — put together under a Western-leaning monarchy in pre-revolutionary Iran — is open to the public, with some works on display for the first time in more than 30 years.
Morteza Nikoubazl / Reuters
(via mohandasgandhi)
I don’t necessarily love rotting bodies, but there’s a texture to a rotting body that is unbelievable. Have you ever seen a little rotted animal? I love looking at those things, just as much as I like to look at a close-up of some tree bark, or a small bug, or a cup of coffee, or a piece of pie. You get in close and the textures are wonderful.
David Lynch, Catching the Big Fish (via
bbook)
(via artilleur)
petrole:
bibi, mark borthwick, 1997
(via theweaponofchoice)
(allison-meow)
Andy Warhol in Gristede’s supermarket near 47th street Factory, NYC 1965 via Bob Adelman
(via rosemaryandguy)
jacindamagnolia:
Echolilia
All parents love their children. But what do you do when you can’t connect with them? In my case, I started making photographs of, and with, my son Elijah, who has autism spectrum disorder. This series—the title is from “echolalia,” a clinical term for the mimicking aspect of his condition—shows the bridges we’ve built on our shared journey of wonder, discovery, and understanding.
We began this project when Eli was five. He was doing well at school but fixating on odd things, lashing out, speaking repetitively. My wife and I couldn’t figure him out. Then I started taking pictures of him around the house. It was an instinctive act for a photographer: Point your camera at something in order to make sense of it. But a curious thing happened. As I documented what Eli was doing and creating, he became interested in the images I was making. I was learning how he thinks; he was learning what I like and value.
We soon had a system. Eli would do something unusual, one of us would notice, and we’d make a photo of it together. The pictures we took over three years were more raw and feral than anything I’d done as an editorial or advertising photographer. And more personal. This is, after all, the story of a father and his son.
Timothy Archibald’s book, Echolilia: Sometimes I Wonder, was published last year by Echo Press. See more of his work at timothyarchibald.com.
(via pntsandlines)
janiefuckingjones:
etsy:
(via Frida Kahlo Last Words by dwitt75)
Frida Kahlo is and will forever remain one of the baddest bitches of art.
(via lipstick-feminists)
They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.
Frida Kahlo (via 44mockingbirds)
God, such a perfect quote.
(via sukoon)